The widest read, 'delivered to your Email box', weekly music Ezine on the Music Net.
The Archive - '3'
A FREE service from 'The
Serious Writers Guild' at MAKEHITS.COM
Written by Dec Cluskey with a little bit of help from his friends.

This Email first mailed to all Members of 'The Serious Writers Guild' and subscribers to 'One Minute With Dec' on
16 March 2007
FREE INFO PACK? QUICK CREDIT CARD HOTLINE?
Want to apply to join 'The Serious Writers Guild' and receive the award winning ten month program: "How To Make A $Million From Your Music" now?
"as secure as when you
buy in your local shop"
Run by real, successful, active, performing and music making human beings - not 'faceless' businessmen.
=================================
'One Minute With Dec'
Since 1996
"My Emails Are Written With Good Humour And Should Be Read With A Smile"
[-The views of any contributor to 'One Minute with Dec' are not necessarily the views of Dec Cluskey-]
"Thinking is free but a good idea is priceless! " - John Waterman, Bandit
Find Specific Email
To get MS Outlook Eudora or Outlook Express to sort e-mail, all you have to do is click!
When you're looking at your inbox, do you see the column titles at the top? The ones that label the columns From, Subject, Received, etc?
Simply click on the column title you wish to sort by.
You should notice a little arrowhead appear in the title bar, which indicates the direction of sorting.
An arrow pointing up will sort messages ascending (A to Z or oldest date to newest).
An arrow pointing down will sort messages descending (Z to A or newest date to oldest).
One click and you're on your way to finding that one specific e-mail ASAP! Another side benefit is that if you see multiple emails from the same person, or with the same title – bingo – sp am.
"Love is when you kiss all the time. Then when you get tired of kissing, you still want to be together and you talk more.
My Mommy and Daddy are like that. They look gross when they kiss"Emily - age 8
"To make music with what we have left"
On Nov. 18, 1995, Itzhak Perlman, the violinist, came on stage to give a concert at Avery Fisher Hall at Lincoln Center in New York City. If you have ever been to a Perlman concert, you know that getting on stage is no small achievement for him. He was stricken with polio as a child, and so he has braces on both legs and walks with the aid of two crutches. To see him walk across the stage one step at a time, painfully and slowly, is an awesome sight.
He walks painfully, yet majestically, until he reaches his chair. Then he sits down, slowly, puts his crutches on the floor, undoes the clasps on his legs, tucks one foot back and extends the other foot forward. Then he bends down and picks up the violin, puts it under his chin, nods to the conductor and proceeds to play.
By now, the audience is used to this ritual. They sit quietly while he makes his way across the stage to his chair. They remain reverently silent while he undoes the clasps on his legs. They wait until he is ready to play.
But this time, something went wrong. Just as he finished the first few bars, one of the strings on his violin broke. You could hear it snap - it went off like gunfire across the room. There was no mistaking what that sound meant. There was no mistaking what he had to do. We figured that he would have to get up, put on the clasps again, pick up the crutches and limp his way off stage - to either find another violin or else find another string for this one. But he didn't. Instead, he waited a moment, closed his eyes and then signaled the conductor to begin again.
The orchestra began, and he played from where he had left off. And he played with such passion and such power and such purity as they had never heard before.
Of course, anyone knows that it is impossible to play a symphonic work with just three strings. I know that, and you know that, but that night Itzhak Perlman refused to know that.
You could see him modulating, changing, re-composing the piece in his head. At one point, it sounded like he was de-tuning the strings to get new sounds from them that they had never made before. When he finished, there was an awesome silence in the room. And then people rose and cheered. There was an extraordinary outburst of applause from every corner of the auditorium. We were all on our feet, screaming and cheering, doing everything we could to show how much we appreciated what he had done.
He smiled, wiped the sweat from this brow, raised his bow to quiet us, and then he said - not boastfully, but in a quiet, pensive, reverent tone - "You know, sometimes it is the artist's task to find out how much music you can still make with what you have left."
What a powerful line that is. It has stayed in my mind ever since I heard it. And who knows? Perhaps that is the definition of life - not just for artists but for all of us. Here is a man who has prepared all his life to make music on a violin of four strings, who, all of a sudden, in the middle of a concert, finds himself with only three strings; so he makes music with three strings, and the music he made that night with just three strings was more beautiful, more sacred, more memorable, than any that he had ever made before, when he had four strings.
So, perhaps our task in this shaky, fast-changing, bewildering world in which we live is to make music, at first with all that we have, and then, when that is no longer possible, to make music with what we have left.
A
quote from Teddy Roosevelt : "You've got to do what you can,
where you are, with what you've got."
www.makehits.com/When it's okay to say the f-word...001.jpg
"Love is like a little old woman and a little old man who are still friends even after they know each other so well."
Tommy - age 6
Author and lecturer Leo Buscaglia once talked about a contest he was asked to judge.
The purpose of the contest was to find the most caring child.
The winner was a four year old child whose next door neighbor was an elderly gentleman who had recently lost his wife.
Upon seeing the man cry, the little boy went into the old gentleman's yard, climbed onto his lap, and just sat there.
When his Mother asked what he had said to the neighbor, the little boy said,
"Nothing,
I just helped him cry"
"During my piano recital, I was on a stage and I was scared. I looked at all the people watching me and saw my daddy waving and smiling.
He was the only one doing that. I wasn't scared anymore."
Cindy - age 8
Success Stories [ More great stories ]Hi Dec
FURNAZE the band is going well, the drummer (oh this endless story...) appears to have grown up and now turns up on time.
Just got back from a smashing gig at the 12 Bar in London (small but packed), lots of praise for the performance (well, after all, I was taught all about the 'the music is the easy bit' by you of course..) another great review in the US...
Did another one last Tuesday with some other bands on the bill and can you believe that one of the guys turned up without an instrument (bass) and asked to borrow one???
The rest of his band didn't know that a tuner is a good investment....Again, thanks for always being there and for the motivation
Andie Cayne
Another:
DecI started your 10 month program and read through it about 4 times now. Late last night I started Napoleon Hills' book "Think and Grow Rich"I simply can't put it down. I just keep on reading and reading.It is amazing stuff and wonderfull. Suddenly it is as if a light switched on!Thank youBerrilAnd Another:
Thank you Dec for your swift reply. In fact, thank you Dec for being born.
Regards, Dave.
"Love is when Mommy gives Daddy the best piece of chicken."Elaine-age 5
====================
Charts:
1) Kaiser Chiefs ... Ruby ... (B Unique/ Polydor) ... www.kaiserchiefs.co.uk
2) Gwen Stefani Ft Akon ...The Sweet Escape ...(Interscope) ...http://www.gwenstefani.com
3) Take That .... Shine ...(Polydor) ...http://www.takethattv.com
"Love is when Mommy sees Daddy smelly and sweaty and still says he is handsomer than Robert Redford."Chris - age 7
Subscriber's Section [ spending all that money in a demo studio ? ]
My Reply:Hi Dec,
Thank you very much for taking time to correspond. However I believe you have not answered my question completely with respect to the following:
>>>>I always suggest that you should make money not spend money .....
With that in mind, doesn't it make eminent sense to spend a few dollars checking if your toon is commercial and sellable before spending all that money in a demo studio where the guys just see the size of your cheque book?<<<< Yes... and the recording will not be funded by me rather an interested sponsor (not investor requiring a return and some. I will advertize for the sponsor at shows etc. in return for recording funds)
so...
as not to waste the sponsors money or "spend money" on fully produced tracks that turn out to be songs going no where, should I:
* send you only lyrics and music charts for each of my songs ?
or
*send ruff unproduced tracks with me singing the melodies for you to listen to for determining which ones if any are hits and/or great filler tunes for my goal to record a full album?
I think you would agree that if out of 10 tunes I have even one hit I should only plan to record that one unless you feel some of the others are exceptional "filler tunes". It seems that any commercial album I have ever studied has one or more hits and the rest of the tunes are what I refer to as "filler tunes" al beit great tunes not hits but needed to fill out the complete commercial album.
P******
Our rules are "one short reply to ONE question FOR NON-MEMBERS, Members of 'The Serious Writers Guild' have unlimited personal access to Dec by direct telephone, Fax and Email , apply at https://secure.mistral.co.uk/makehits/swgappsecure.htm ".
Make it a Great Week ......
Hi P******You have great enthusiasm.... that really shows through ....
But I fear that you have only glanced at 'How To Make A $Million From Your Music' and not taken it all in?
<<<<<<<I will advertize for the sponsor at shows etc. in return for recording funds>>>>>
No matter how well intentioned, it is impossible to retain a sponsor without success coming at some stage [sooner rather than later] .... think of Formula One race cars? If he does not have a hit very quickly he will lose interest .... so fast! Sadly, he will not have the knowledge to recognise a potential hit. But he could think that you are good 'eye candy' for his home?????
<<<<<<<send ruff unproduced tracks with me singing the melodies for you to listen to >>>>>
This is exactly what I say in 'How to Make A $Million' .... a hit is a hit is a hit .... if someone walked up to you in the street and sang 'King of my Castle' ten years ago, you would have rushed straight to a studio to record it. Great hits always end up being screamed by a bunch of drunken girls on a Saturday night out ..... so your proposed Hit song has to stand on it's own just the same, right from the very start, in it's roughest form.
<<<<<<<<rest of the tunes are what I refer to as "filler tunes" al beit great tunes not hits but needed to fill out the complete commercial album. >>>>>>
Again, I fear that you have not taken in what I have written.
No artist/A&R man has ever gone in a studio without the intention of making a Number One Hit [unless they are making a concept album or a theme album]. The idea of 'album tracks' is a figment of novice writers imagination. no professional writer has ever intentionally written an album track ... album tracks are purely proposed future hits .... the fact that they 'miss' is simply because the A&R people feel that they won't make it! It costs approx. $4 Mill to promote a single world-wide. The single purely promotes the album - where the real profit is.
I have written dozens of times that the 'pro' writers who write from 10am to 5pm each day [check out what Elton says on the subject] they write, say, 300 start points a year ... maybe 30 become full songs.... 5 get recorded .... 3 make money and one makes serious money .... that is the professional way of thinking!
So, the novice [a person who has not made a $fortune] should concentrate on the one which will make serious money ... use every means possible to check it's commercial appeal .... audience reaction, DJ reaction, radio reaction ..... white label sales, merchandising sales .... and most particularly the Demo Consultation Service ... which not only will tell the commercial value but also give the 'way forward' ... in other words, the positive ways of improving the sellability.
But P******, all this is in 'How To Make $Million'. It is the most complete 'method' ever written.
RegardsDEC [Cluskey]
mailto:dec@makehits.comYou don't know whether you music is getting better unless you have regular demo consultations with Dec - the one the Pro's use: UK 01323.728005 [+44.1323.728005] http://www.makehits.co.uk/demo.htm
Dec
============================================The gags: ..... from Willie [ A POLITICAL LESSON TO BE LEARNED ? ]
A young man named Gordon bought a donkey from an old farmer for £100.00
The farmer agreed to deliver the donkey the next
day, but when the
farmer drove up he said, "Sorry son, but I have some bad news... the donkey
is on my truck, but unfortunately he's dead."
Gordon replied, "Well then, just give me my money back."
The farmer said, "I can't do that, because I've spent it already." Gordon said, "OK then, well just unload the donkey anyway."
The farmer asked, "What are you going to do with him?" Gordon answered, "I'm going to raffle him off."
To which the farmer exclaimed, "Surely you
can't raffle off a dead donkey!"
But Gordon, with a wicked smile on his face said, "Of course I can,
you watch me. I just won't bother to tell anybody that he's dead."
A month later the farmer met up with Gordon and asked, "What happened with that dead donkey?"
Gordon said, "I raffled him off, sold 500 tickets at two pounds a piece, and made a huge, fat profit!!"
Totally amazed, the farmer asked, "Didn't anyone complain that you had stolen their money because you lied about the donkey being dead?"
To which Gordon replied, "The only guy who found out about the donkey being dead was the raffle winner when he came to claim his prize. So I gave him his £2 raffle ticket money back plus an extra £200, which as you know is double the going rate for a donkey, so he thought I was a great guy!!"
Gordon grew up and eventually became the Chancellor of the Exchequer, and no matter how many times he lied, or how much money he stole from the British voters, as long as he gave them back some of the stolen money, most of them, unfortunately, still thought he was a great guy ***
The moral of this story is that, if you think Gordon is about to play fair and do something for the everyday people of the country think again my friend, because you'll be============================================
The Professional service the Professionals use. Even available for voice and guitar!
Simply get in touch by Email - click this link: demo@makehits.co.uk and tell me that you want to send your material for a full critique and appraisal. We will then send you a unique PIN number to put on your letter or Jiffy Bag. This will ensure you get immediate attention. This is also for security reasons. We do not open unsolicited Jiffy Bags.
For full details click on this link: www.makehits.co.uk/demo.htm
Heard enough, want to apply to join 'The Serious Writers Guild' and receive the award winning ten month program: "How To Make A $Million From Your Music" now?
"as secure as when you buy in your local shop"
[As members of Data Protection Register your details will never be given to ANYONE]
To pay by any other method please check out the payment methods on the secure page. Any queries re payment just contact me directly. I'll get back in touch with you within hours: dec@makehits.com
For your further protection, we are recognised by British Actors Equity.
Dec Cluskey
The Serious Writers Guild,
Stanton Prior,
Darley Road,
Meads,
Eastbourne BN20 7UH in the UK
Email: dec@makehits.com
Fax.: +44 (0)1323.729318
FREE INFO PACK? QUICK CREDIT CARD
HOTLINE?
or just prove we are real?
+44 (0)1323.728005
[UK office hours]
Also at:
Denton Road
Meads
Eastbourne
and
Il Cortes Del Golf, El Paraiso, Benavista, Costa Del Sol, Spain
Sign up now or risk losing the place to someone else.
The number of places is strictly limited per year, so act now, today. Click the blue link under:
Order 'How To Make A $Million From Your Music' Now?
For
your complete privacy and protection 'The Serious Writers Guild' is proud to be
registered with the Data Protection Register Reg. number Z5952061. We never share
your details with anyone.
Copyright ©2007 MakeHits.com, Dec
Cluskey. All rights reserved.![]()
http://www.makehits.com/oneminarchive160307.htm -- Revised: 16 March 2007 Copyright © 200 7 MAKEHITS. All rights reserved.Maintained by: contact@makehits.com |