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Written by Dec Cluskey with a little bit of help from his friends.

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This Email first mailed to all Members of 'The Serious Writers Guild' and subscribers to 'One Minute With Dec' on

14 April 04

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'One Minute With Dec'  

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[-The views of any contributor to 'One Minute with Dec' are not necessarily the views of Dec Cluskey-]  

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"You can't have a rainbow without putting up with a little rain"
dolly parton

 
"Dec....When I learn something from you, I go and listen to the hits and then I can hear it too. I hear music differently and now I don't even want to listen to anything but hits. It's funny because I used to think that was selling out and also rigged.  Thanks so much for being so patient with the Guild you can tell everyone I said just slow down listen and learn. And you will learn".  Quincy Ellis ..New York
 
=======================
 
Hi Dec....I have been following the progress of the BBC TV idea for finding new talent.  And my Goodness, do I have some compliments to pay.  The results are stunning.  Thanks for your comments on this. Spot on as always. I used to think it was a bit late in the day for me to make an impact, (at 68 years old) but it's starting to happen . Thanks (not quite a million, but heading in the right direction!.)   Derry - UK

Blown away by 'Country'?

Considering I did my first major tour backing a country star [Hank Locklin] and also considering I am from Ireland, where the national music seems to be 'Country'.....I can't say that I 'enjoy' Country.  Not as a relaxing music to just enjoy.
 
Oh, I should say that I enjoy every type of music....but some more than others.  I can find enjoyment in just about any piece of music.
 
What I am getting at is that I was blown away the other night by a TV special on the life of Dolly Parton.  I felt that she had read every one of my books and been on every show I ever did.  But then it's because every successful person in the Music Business thinks, acts and behaves in precisely and exactly the same way....the successful way.
 

First recording?

She made her first recording at 10 years old....I made my first at 12.....in precisely the same way!  I did the Carl Moore Talent Search from the USA and she did Count Walker's Radio Show.  She arrived in Nashville with nothing, just driving ambition....I arrived in the UK with nothing, just driving ambition [yep, I slept on the railway stations]
 
"I made it work for me" ....said Dolly....and so did I....otherwise I didn't eat!
 
We differed in that every record company turned her down....but we got signed by the first one that heard us and saw us.....
 
She introduced me to the concept of 'blood harmonies'...I always wondered why relations [my brother and I?] just blend so well and have a 'hardness' in the harmonies that others can't achieve.  Dolly has that 'blood harmony' feel with anyone she sings with...amazing?
 

If I want to be a Star

We both shared the philosophy: "If I want to be a Star I want to be a big Star"...I couldn't agree more...I have never been interested in the music business just to earn a living....you see, I could have earned much more than a living in my first career after University...Civil Engineering.
 
Dolly repeated my advice to all who ask:  "I was always aware that this was the Music BUSINESS"....the second word is BUSINESS.  She was tough enough to not split the publishing with Elvis when he wanted to record 'I.....Will Always Love You'....Elvis insisted on a cut of the writing on everything he recorded...smart 'business' guy.  But that song went on to be the second highest selling single of all time [35 Million] when Whitney Houston recorded it.  So who won in the end?
 

Lawyers and Accountants

Dolly also confirmed my views on lawyers and accountants [which are well known among my members] "I always get the best lawyers and accountants, then I get people to look over their shoulders....mostly me!"......Brilliant thinking by Dolly...and I do the same.  Always know more than the guys you employ.
 
She got so excited when she got the initial ideas for '9 to 5' that she rushed to sing the ideas to her co-stars - just making the rhythm using her fingernails like a washboard....see?  No one ever has to confirm that you have written a Hit...You Know!
 

All the vocal tracks herself

Her producer confirmed that she did all the multi vocals herself...and didn't even sit down to rest....kept going till finished...a six hour singing session was nothing unusual...without stop, without pause....."when is it finished?....when it is finished!"
 
She is recording her 72nd album.....I am recording my 62nd....beat me by ten....shucks!
 

"I would rather wear out than rust out"

dolly
 
One point that smacked me between the eyes, when I analysed her performance and the performance of the 'biggies' who worked with her, was the amount of movement in her voice....just like the top R&B singers and like all the most successful recording stars at the moment and in the future?  [check out American Idol for this thought]
 
How is the 'movement' in your voice?


How about this for success?

Dec,
 
you know everything!
 
tonight happened exactly the thing you described.  I got a call from a big booker. he was like "I'm just around the corner,  let's meet in the studio, I got some things to discuss with you"
 
did I look like a superstar? certainly I did :-)  then after 10 minutes of waiting, the guy(s) appeared in the studio and to  cut a long story short:
 
after I gave them a little example of my performance they booked me 4 (that F O U R) times!!! that's 4 bookings in one day. not bad.  Can you believe this?
 
They pay very well by the way and one of the bookings is a BIG 4000 People venue, where I appear together with the winner of German idols!  Isn't that wonderful, dec?
 
Everything came together tonight, it was brilliant. the looks, the talking, the attitude.
 
AMAZING.  That's so awesome.
 
Thank you, dec
 
m*****
===========================

Charts:

UK

1) "5 Colours in her Hair"........  MC Fly
2) "Yeah!" ....... Usher Featuring Lil Jon & Ludacris
3) "In The Shadows" ........ Rasmus
 
USA
 
1) "Yeah!"    Usher Featuring Lil Jon & Ludacris
2) "Tipsy" J-Kwon
3) "I Don't Wanna Know"    Mario Winans Featuring Enya & P. Diddy
 
 
AUSTRALIA
 
1) 'F**K IT' ... (I Don't Want You Back) Eamon <G> [Wow! Can't wait to hear this one!]
2) "Yeah" ..... Usher Featuring Lil Jon & Ludacris
3) "Suga Suga" .... Baby Bash
 

A chart observation:

About time the Australian chart had a bit of 'motion'....I said last week....this week?  Stock still again!  Usher tops it in the UK and The States.
 
The top two on the album and single charts remain the same this week, while newcomers jostle for lower positions. The Rasmus were expected to top the charts, and the single has sold well, but it's just not done enough to topple McFly or Usher. 

    USHER

 
Beyonce's 'Dangerously In Love' looks like being the 'Thriller' of the naughties, with pretty much every track seeing single release. 'Naughty Girl' is the sixth single to be released from the CD and yet she still manages to squeak - just - into the top 10, even though most everybody and their auntie must have the album by now, surely?
 
Oh dear, things don't look good for Michelle. Her album only managed four weeks on the top 40, and her second single, the CD's title track, can only muster up a first time chart position of 16. Has the public tired of the Pop Idol already?  
 

Music/Show Biz News:

John Travolta: If he dances, we'll be there. A spokesperson for the American Film Institute announced yesterday that the Saturday Night Fever star will host AFI's America's Greatest Music in the Movies special, which will be broadcast on CBS Tuesday, June 22 at 8:00pm. Some of the folks who are expected to discuss the popular tunes include Burt Bacharach, Cyd Charisse, Celine Dion, Art Garfunkel, "Idol" star Clay Aiken, Marvin Hamlisch, Art Garfunkel, Paul Simon and Barbra Streisand. The songs were chosen from a list of 400 songs submitted to 1,500 entertainment leaders. So where will the theme to Porky's land on the charts?

Dolly Parton: And while we're on the subject of songs, this little item from Nashville deserves a mention. Parton will receive "The Living Legend" award today in a special ceremony to be held at the Library of Congress in Washington, DC. The affair will be taped by GAC television for broadcast on the network in May. Bill Cody will host the festive event that will include a special Parton performance from the Coolidge Theater in The Library of Congress. Past honorees from the music industry include Ray Charles, Johnny Cash, Itzhak Perlman and Isaac Stern. Visit the Official GAC site for more information on the 24-hour music video network and Parton's special award.

Britney Spears: The sexy singer wants to invade reality television on her own terms. Spears' representatives are pitching a new series that will feature her adventures on the road with her dancers, crew and musicians during the European portion of her Onyx Hotel Tour. CNN reported that Spears will not only star in the series, but will also act as camera lady by filming portions of the tour herself with a digital camera. No network has picked up on the idea yet. That's not surprising. According to other sources, the tubed tour would cost a cool million per episode ... which makes me wonder how much Spears paid for that digital camera.

Beastie Boys: When the group started to record their sixth album, "To The 5 Boroughs," two years ago at their own studio in downtown New York City, Fox's new drama hit The O.C. was not even a concept. Times change quickly. "Ch-Check It Out," the first single from the album will debut on the show Wednesday (April 28), the same day that the song breaks on radio. Fox expects a big crowd for The O.C. episode that night because the show features a bachelor party in Las Vegas that will give Ryan (Benjamin McKenzie) and Seth (Adam Brody) more opportunities to get in trouble with the ladies.

 

So 'The Art of Live Performing' has got it exactly right?  www.liveperforming.com

Here is what a performer had to say:

It was the first big concert i saw since i started "the art of live performing".
 
EVERYTHING was just EXACTLY like you say. i simply couldn't believe it. it almost made me cry...
 
i have to tell you though you know it all:
 
the show started with the biggest opening in history, you know all that kind of soundscaping stuff, the computer type of countdown voice, the biggest string section ever, all the AMAZING LIGHT!!! It was wonderful, i started to understand what REAL LIGHTING means. All these beautiful moving lights...all that blue and white, all that audience blinding flashes.

The singer (she was RED HOT) changed her costume 5(!) times during the show. (took her only 1 1/2 minutes to change though, amazing).

The Sound engineer? Oh my god, i could go on forever. I couldn't believe it when i saw that guy. it was almost a show itself to watch him! he was so silent and knowing (all faders to unity), didn't drink a single beer. didn't smoke) he moved so beautifully slow, just knowing EXACTLY what he was doing, fading in delays, fx,...doing it all so silently and strong, without all these busy "IM SOOOO DAMN IMPORTANT" looks and movements.

And the PA? EAW of course. I got EAW for my show! as you said: industry standard!
 
The talking of the singer? She didn't say a SINGLE word that wasn't rehearsed to death.
 
The support acts? The two support acts where talking all the time, just saying stupid things, trying to be funny, talking fast and such a nonsense...terrible. Also the support acts announced their merchandising themselves going: "well...ahhm...we got a bunch of CD's and photos out there and you can meet us after the show if you like...bye."   one of the support acts even helped the stage crew with the equipment...horrible.
 
The main act? did she announce her merchandising? Certainly NOT a single word about it.
And you know what? The end of the show... I truly COULDN'T BELIEVE it.
 
I thought by myself: "how lucky am I to know about all of these secrets"
 
You know what happened? Of course you know :-) The ballad. The last chorus. The "non moving immortal gesture" at the end (10 secs), and then the lead guitar set in, playing the hook. DEC, I COULDN'T BELIEVE IT.

What happened then? She did all the hand shaking, all that smiling, (biiiig smile) and when the band finished she went upstairs and WHAT DID SHE SAY???? WHAT DID SHE SAY???
 
I WAS FLASHED. Seriously. Of course she said: "Emsdetten" (that's where the concert was),
 
"Emsdetten, I LOVE YOU!"
 
BLACKOUT.
 
WAS THAT AMAZING? WAS THAT AMAZING? I WAS TOTALLY FLASHED by that whole show. She did EVERYTHING you say in your teachings, it was like the perfect example and the most important part of it: It WORKED.
 
Merchandising? The guy was literally YELLING at everybody to buy. And did he sell? Holy sh**...
 
Just wanted you to know that tonight, even the slightest bit of doubt about what i learn from you disappeared forever.  Tonight I got the ultimate proof that there is a sure way to make it in this wonderful business. You teach this "sure way" and that's why things ARE gonna work out for me.
 
Let me give you the biggest thank you in history.  Once again: It was so mega-amazing, thank you ever so much.
 
all the best
 
M*****  B****
 

Subscribers Section:

"Hi Dec!
I remember you once mentioned about being able to get more than 16 different tracks from 16 midi channels.
 
Please let me know how this is done.  I`ve got on the New Deal for Musicians scheme recently.  I had an amazing meeting with a Music Industry Consultant by the name of Ron Atkinson last week.  He started off in the 1970`s working with Chris Blackwell at Island records, then RCA and ZTT.
 
I used all the techniques you`ve taught me,and on his way out,  He said: "I see a great many people, but I`ll remember you!"
 
I`m meeting with one of his team this coming week to discuss getting a grant for studio equipment.  Thanks,as ever Dec. Your influence is felt more than you can imagine!

Kind regards, T** S*****

My Reply:

Modern day Pro Tools and Logic approach the Midi limitations in a different way.  Because all the sounds are generated internally then there is little chance of being embarrassed from lack of Midi channels....if you run out - you simply live bounce onto an audio channel.
 
Most midi sequencer programmes have a basic 16 midi channels. The Atari [and most other music sequencers] can accept a multiplying unit.  Whenever I have to use an Atari I use a simple plug in into the back of the computer with a midi socket out, which effectively gives me another 16 - so that gives me 32 channels as 16 No. A channel and 16 No. B channels.

With a 'Unitor' plug-in this will increase to A,B,C,D, so effectively you get 64 channels...more than enough for anyone. It merely plugs into the 'midi out' of the computer and the box has four midi out sockets on. Don't confuse this with a normal 'midi splitter' which merely has one in, 8 out of the same 'A' midi signal. Or a 'midi merge' which allows two in and quite a few out.

The main benefit of the B channels is that you can assign lots of samples from, say an Akai sampler, and you have tremendous control and flexibility. I normally run all my drums, percussion on B10 and then all the extra percussion, extra kiks and snares etc. plus other samples on the other 15 'B' channels....very easy and very flexible.
 
There is always an argument in favour of any particular way of approaching Midi and PC/Mac recording.  I don't get into the argument.  I simply do things my way, the way I know makes money.....but I have the equipment and the knowledge to use any of the other ways....easy really.  Knowledge is key.

I hope this helps

Dec
"I'm totally artificial and totally real" 
dolly parton
Regards
Dec 
 
You may use any part of this 'One Minute' in your own publications...we simply require you to add:
 
Start ============
 
'One Minute With Dec' is written each week by Dec Cluskey.  Dec's advice?
 
Get in touch personally to discuss what you want to achieve in music dec@makehits.com
 
Finish===========
 
============================================

The gags   [An old groaner?] 

A woman brought a very limp duck into a veterinary center. As she lay her pet on the table, the doctor pulled out his stethoscope and listened to the bird's chest. After a moment or two, the vet shook his head sadly and said, "I'm so sorry, Cuddles has passed away."
 
The distressed owner wailed, "Are you sure?"
 
"Yes, I am sure. The duck is dead," he replied.
 
"How can you be so sure?" she protested. "I mean, you haven't done any testing on him or anything. He might just be in a coma or something."
 
The vet sighed, turned around, and left the room. He returned a few moments later with a black Labrador Retriever. As the duck's owner looked on in amazement, the dog stood on his hind legs, put his front paws on the examination table, and sniffed the duck from top to bottom.

He then looked at the vet with sad eyes and shook his head. The vet patted the dog, walked it out, and returned a few moments later with a beautiful cat. The cat jumped up on the table and also sniffed delicately at the bird. The cat sat back on its haunches, shook its head, meowed softly and strolled out of the room.
 
The vet looked at the woman and said, "I'm sorry, but as I said, this is most definitely, 100% certifiably, a dead duck." Then he turned to his computer terminal, hit a few keys, and produced a bill which he handed to the woman. The duck's owner, still in shock, took the bill.
 
"$150!", she cried. "$150 just to tell me my duck is dead?"
 
The vet shrugged. "I'm sorry. If you'd taken my word for it, the bill would have been $20, but what with the lab report and the cat scan....."

============================================

 
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