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The Archive - '2'
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Serious Writers Guild' at MAKEHITS.COM
Written by Dec Cluskey with a little bit of help from his friends.

This Email first mailed to all Members of 'The Serious Writers Guild' and subscribers to 'One Minute With Dec' on
09 Feb 06
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'One Minute With Dec'
"My Emails Are Written With Good Humour And Should Be Read With A Smile"
[-The views of any contributor to 'One Minute with Dec' are not necessarily the views of Dec Cluskey-]
"Dedicated to my Grandmother who had an awesome daughter call my Mom" Beyonce
Show was 'Irish Eye' with Henry Wymbs .... I did the show by phone from my sick bed on Sunday afternoon [how many of you have got that silly 'Winter Illness'?]
My 'bug' started with a spout of 'Huey' in the middle of a concert last week and has now progressed to a dreadful cough .... keeping me awake at night. I am ridiculously healthy ... but this has knocked me for six. Okay during the day, just an odd splutter...but at night...Heck!
From Henry:
"Dec
Thanks for a lovely interview, folks simply loved you!
I will do an article on 'The Bachelors' for the 'Irish Post' newspaper, and send you a copy
Henry Wymbs - 'Irish Eye' BBC Radio Oxford, 269 Banbury Road, Oxford. OX2 7DW"
Looks like they want me to do an 'in depth' on success in the music industry in a few weeks time ... 3 hours....I'll let you know.
Member Mike Hersee has written advising me on a new series re. songwriting "Howard Goodall new series on musical greats on channel 4"
And Dec, I'm copying you on this too just in case you'd missed the programme. You might want to warn the other subscribers that the remaining programmes are on Tuesday to Thursday, 9:30-10:20am on Channel 4Hi DecFor the first time I'm making a decent, regular living from the music industry (only 2-3k pcmat the moment) but I think things can only improve.............Thanks for all your help and support.I've also taken on managing a female rock act who has a pretty good fanbase and major industry interest.Kindest regardsDavid Nix"If you have a dream, you can and must, make it happen." - Ellen McArthur=====================
Charts:
USA [my thanks to Charles in the USA for supplying this]
(1) Beyonce Featuring Slim Thug .... Check On It ... Columbia
(2)
James Blunt .... You're Beautiful .... Custard |
DIGITAL | Atlantic
RIAA
(3) Nelly
Featuring Paul Wall, Ali & Gipp ...
Grillz ... Derrty/Fo'
Reel
1) Notorious Big/Diddy/Nelly ..... 'Nasty6 Girl'
2) Chris
Brown ft Juelz
Santana - 'Run
It'
3) Ordinary
Boys - 'Boys Will
Be Boys'
Download Chart [now the most important chart in the UK]
1) Ordinary Boys....Boys Will Be Boys....(Warner Music)
2)
3)
Hi-Tack .....
Say Say Say (Waiting 4 U) ... (Gut)
"I'm trying to spend the minimum to make the maximum - and it just doesn't work." - 'Skint'
Here is a question re direction.
Hi
I'm a singer songwriter looking for suggestions on how to record my
songs. I usually write solo with guitar or piano, whilst singing. I
like to record my stuff, adding in some additional backing
percussion/bass/strings.
The approach I've tried so far is to record the entire piece into
Cubase, and then start layering other stuff over the top. I'm never
quite happy with the results because they never feel polished enough.
My options seem to be...
a) invest more time into becoming more skilled with the tools &
recording theory
b) pay a studio to help me record my work
c) buy better tools that make it easier for me to get results
T****
My Reply:
Hi T****
I suggest you should consider asking yourself some straight questions first - as the answers will determine the road you should go:
1) Am I in this for 'fun' and just to impress my friends and peers?
2) Am I serious and want a career in music that will eventually give me the $fortunes and the success I crave?
If you answer 'yes' to the first question then what you are doing is quite acceptable. Learn little by little by asking questions of anyone you know who can help you [including Newsgroups].
You will have to accept that you will be, for the most part, disappointed in the results as you can only achieve the level of the guys who you are listening to.... "no one ever stumbled on the method for making a Hit Record by accident".
You will forever be frustrated because your finished product doesn't quite sound like 'Usher' or 'Christina' ... and you will never find out why.
If the answer to (2) is 'yes' then you have to stop in your tracks and approach the whole idea with a professional, killer attitude, 'get out of my way' mindset.
You will have to think 'Industry Standard' in every respect as regards your equipment ... that means Mac and Protools or Logic/Sonar. Simply because that is what every dosh making, successful studio and music maker uses. It means Triton, Yamaha Motif, Kurtsweil PC2R keyboards/modules. It means Fender, Gibson elec. guitars and any one of the accepted modern acoustic guitars. It means Marshall Amp or preferably Marshal JMP1 module [ancient but still the Pro's favourite]
It means Soundcraft, Yamaha or Allen and Heath mixing desk, Yamaha NS10S monitors with the most powerful amp you can afford and a totally dead studio environment. It means as many compressors and Industry standard FX units as you can afford.
You will have to accept that this is a 'knowledge based' industry and you simply cannot pick up that knowledge from Charlie down the pub [who knows a thing or two]
Sadly, and I apologise if I upset frail Egos....you will not pick up the extreme commercial knowledge required from Newsgroups. Tips maybe...but not the Hit Making, dosh making, $Million career knowledge.
You will have to accept that the music industry is 80% visual and 20% music. This is a hard pill to swallow...and where do you get the info as regards this?
As regards your posed questions
<<<<<<a) invest more time into becoming more skilled with the tools & recording theory >>>>
Yes, but you must learn 'what the public want'...and you will not find anything on the Net that will help you in that respect [I shy away from plugging our own products]
There is only one theory you need as regards recording and that is the all encompassing complete and full theoretical knowledge of all recording and performing skills plus the knowledge of how Hit records are arrived at [Again I shy away from plugging our own products but 'How to Make A $Million From your Music' is hard to beat.]
<<<<<<<b) pay a studio to help me record my work >>>>>>
Sadly Tobes, this will only give a more polished version of exactly what you already have. There are extremely few house engineers who have any interest in chart music [the stuff that sells] ... "Ahhhh, mate it's all sh*te in the chart nowadays".
Never go near a studio without the best Hit Producer that you can afford. If you have the material they will usually work for points only, plus small out of pocket expenses.
<<<<<<<c) buy better tools that make it easier for me to get results >>>>>
No, not 'better tools' but Industry standard tools that will have good resale value and will give you [with the right knowledge] the proper mega dosh making results.
By the way, there are no tools that make it easier...it is the knowledge that makes it easier.
Dec {Cluskey] mailto:dec@makehits.com
Just
released:- "57 Secrets of a Hit Record" ... - 260 pages of the
Secrets plus the CDrom Analysis Software and Audio CD to ensure that your music
is a Potential Hit www.makehits.com/57Secrets.htm
or call UK 01323.728005 [+44.1323.728005]
Regards
Dec
You may use any part of this 'One Minute' in your own publications...we simply require you to add:
Start ============
'One Minute With Dec' is written each week by Dec Cluskey. Dec's advice?
Get in touch personally to discuss what you want to achieve in music dec@makehits.com
web: www.makehits.com or call +44 (0)1323.728005
Finish===========
============================================
The gags: ..... One
to tell at work tomorrow?
A woman asks her husband, "Would you like some eggs? A slice
of toast and maybe some grapefruit and coffee?" she asks.
He
declines. "Thanks for asking, but I'm not hungry right now. It's
this V **gra," he
says. "It's really taken the edge off my appetite."
At
lunchtime she asked if he would like something. "A bowl of soup,
homemade muffins, or a cheese sandwich?"
He
declines. "The V **gra,"
he says, "really trashes my desire
for food."
Come dinnertime, she asks if he wants anything to eat. "Would
you like a juicy steak and scrumptious apple pie? Or maybe a
rotisserie chicken or tasty stir fry?"
He declines again. "No, still not hungry."
"Well," she says, "would you mind letting me up? I'm
starving."
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