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The Archive - '2'
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This Email first mailed to all Members of 'The Serious Writers Guild' and subscribers to 'One Minute With Dec' on
03 July 05
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'One Minute With Dec'
"My Emails Are Written With Good Humour And Should Be Read With A Smile"
[-The views of any contributor to 'One Minute with Dec' are not necessarily the views of Dec Cluskey-]
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Humpty Dumpty was pushed!"
MENU:
alan radcliff
Go to www.makehits.com/testimonials.htm for stories that will amaze you and fill you full of hope for YOUR future.]
====================="Hi Dec
Have listened a few times to your consultation of my song "Am I to Blame?" Well, talk about value for money. You didn't rate the song very highly, which was a bit of a bruising, but you explained exactly why and I'm more than happy with that. I've had six months schooling from your consultation which I would have only learned through a time consuming, costly process otherwise. If anybody really wants to know what the industry wants in a demo they should start with a Dec Demo Consultation. Quality. I'll listen a few more times to learn the lessons and then move on, Dec. Thanks very much indeed.
Chris"
And
currently The War of the Worlds is
No.1 (Eve of the War) and No.2 (Ulladubullah) on the I
Tunes chart.
Is there anything else that needs doing before the 11th? , if so ring me.
Speak soon .... Best for now
Rob [Mayston] Creative Director War of the Worlds World Tour [also staging and directing our benefit at Congress Theatre 11th July, next Monday]
Charts:
USA [my thanks to Charles in the USA for supplying this]
(1) We Belong Together, Mariah Carey
(2) Inside Your Heaven, Bo Bice(3) Inside Your Heaven, Carrie Underwood
UK
1) Tupac Ft Elton John - 'Ghetto Gospel'
2) Charlotte Church - 'Crazy Chick'3) James Blunt - 'You're Beautiful'
UK
Download
Chart
[now the most important chart in the UK]
Weird to see two songs in the top three in the states of the same title...years ago, two versions of a song could reach the chart but not nowadays....weird!
The continuing chart career of Tupac Shakur has long been the source of humour and astonishment. Despite being murdered in September 1996, hits in the rappers name have kept coming at a steady pace, a testament to just how productive he had been in the months leading up to his death whilst at the same time providing endless fuel to the conspiracy theories that suggest he is not actually dead. Now the line of posthumous hits reaches its zenith as 2Pac finally lands himself a UK Number One hit.
Subscriber's
Section:
Here is a good one on home studios and mics.
Hi Dec
I hope you are well and life is good. Quickie - turning my focus onto my theatre - musical project, I've decided to
record the whole 2.5 hours via my home recording setup, so I have something tangible to work with as a demo including all
acting/singing parts. I have the gear, but no mics yet.(1) You mentioned previously the Shure mic for live performance - would you also recommend this mic for recording vocal, or
should I get something else?(2) My home studio is situated upstairs in a detached house. I intend having a 'window' put into the separating wall between
main bedroom (control room) and box room (live room for vocals). Would you recommend I spend cash on soundproofing my
box room - or will a single-directional mic do the trick to reduce extraneous noise getting onto tape? I live in a quiet cul-de-sac.
any thanks.
G******
My Reply:
G*****
As with most guys you misunderstand the way that mics. react and take in sound.
The sound is not created by the microphone...the microphone only takes in what 'it hears'. So, provided a microphone is full frequency, then it will take in, accurately, the sound presented to it.
Differing mics. have ever so slightly different response in the varying frequencies. Usually, a good mic. will have a frequency graph with it so that you can see which frequencies it exaggerates and which it diminishes...thus each mic. will give a 'unique' sonar pattern. The high grade condenser mics. are generally total flat in response through the frequencies and the frequency capabilities stretch right up to say 20,000HZ...thus they have an indefinable 'transparency' in their response.
Condenser mics. also are 'powerful', in that they will pick up from a much greater distance without degrading the sound. Dynamic and ribbon mics. sound great close in [proximity factor] but quickly lose that quality in the first six inches away. Or even half inch to the side! So they are useful when you don't want extraneous sounds and noises on the recording or live performance [useful for live gigging, TV and a studio with other musicians present.]
I don't want to get into detail here..and that is enough about the mics.
What you need to concentrate your brain on is the fact that the mic. will pick up the 'reflections' in the room. That is called the 'ambience'. So a brick walled room will have a hard edgy sound to it. The vocal will be affected by this as the voice will reflect off the walls and add the reflections to the sound recorded...you cannot get rid of those reflections.
A glass or mirrored room, or marble floored room will give a brittle sound to everything [Phil Collins drum sound?].
So, what you need is:
Get rid of the reflections by (a) totally sound deadening all the surfaces (b) ensuring that there are no 'parallel' surfaces (c) ensuring there are no right angle corners. This is easily achieved, at tiny cost, by just thinking about it in a logical manner.
Using the mic. as close to the sound source [with vocals, the mouth] as possible....get yourself the best pop shield you can afford ['Popper Stoppers' from Studiospares are Industry Standard]
Ensure the vocalist remains in a constant position in relation to the mic.
Record all vocals at the highest possible DB level on the meters without distortion [this uses the maximum number of 'bits' in digital recording]
SM58 [standard or Beta for extended frequency range] - the reasonably priced AKG D880, are the best dynamic mics. and are workhorses that will take care of almost any close miking situation.
The Stagg MC7 condenser mic. is my favourite high quality mic. for those stunning vocals, acoustic guitar and percussion tracks. But you need a mixer or recorder that will give 'phantom power' for this mic. Mic. available from Guitar Amp and Keyboard Centre...talk to Sanjib and mention my name...details in 'Uncle Dec's Lil' Instruction Book'. www.makehits.co.uk/qabook.htm The Shure KSM27 is a more expensive condenser mic. that I can recommend highly.
You will find that for most applications a separate recording room is a nuisance [I don't use one]. It is much cosier [and quicker] to adopt a 'singing in the control room' situation...but then you have to follow all my detail on making sure of no hums etc. in the control room.
So there you have it.
There is a mountain of this information, in detail, in 'One Minute With Dec - The Annual' plus the TWO Interactive audio CD's. www.makehits.co.uk/annual.htm
Regards
DEC
[Cluskey]
mailto:dec@makehits.co.uk
Regards
Dec
You may use any part of this 'One Minute' in your own publications...we simply require you to add:
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'One Minute With Dec' is written each week by Dec Cluskey. Dec's advice?
Get in touch personally to discuss what you want to achieve in music dec@makehits.com
web: www.makehits.com or call +44 (0)1323.728005
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The gags: [the blonde gags are back!]
"Dear Diary,
Last year I replaced all the windows in my house with those expensive double-pane energy-efficient kind, but this week I got a call from the contractor complaining his work had been completed a year ago and I had yet to pay for them.
Boy oh boy, did we go around and around!
Just because I'm a blonde does not mean I'm automatically stupid.
So, I proceeded to tell him just what his fast-talking sales guy told me last year - namely, that in one year, the windows would pay for themselves.
There was silence on the other end of the line, so I just hung up.
I have not heard anything since.
Guess I won that stupid argument."
============================================
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